Directed, Choreographed, Filmed and Edited by Joshua Smith
ARX is a new breed of virtual reality headwear that is so experimental the developers, a shadowy cooperation named Sky-X put a call out for avid gamers to enter a raffle in order to be the first 4 to beta run this new tech. What we know is Its highly addictive and it doesn’t have a set game but more of an experience that seems to learn your neurological identity and caters an experience according to your deep phycological principles.
Assisting Yagamoto in a Kay-Way + Zolando collaboration which eventually led to a live fashion event - Working with the concept of Storms and weather systems into serenity with elements of wirework.
A passion project by Joshua Smith
Two tired women coming together to balance our their turbulent lives with a tender moment of freedom, to dance and feel intimacy, silliness and depth.
A ShortFilm conceived and written by Jamie Neale & Joshua Smith
A story about a mans struggle to express the lows of his life in the vast emptiness of his previous workspace, evoking feelings of the weight of masculinity and the loneliness of loosing your meaning.
One in a series of three music videos for James Smith - Working with the subtle drug induced choreography in this trippy shoot was vibrant and engaging.
I assisted Benjamin Johnson who was trusting enough to handle the stills whilst allocating me to movement direct the moving image elements of this advert. Bringing my knowledge of mixed martial arts, callisthenics, athletics and cycling to marry an authentic physicality to the talent the client wanted for this dynamic advert.
Working on the nuanced relationships depicted in this music video as well as working closely with Cat to refine her relationship with the camera and elements of vocal performance during shooting
28 Million views on youtube
Choreography for James Smith
Directed by Ricky Gibb and Facilitated by Kode Media
A playful, animated brief this was such fun to bring to life. Working with actors with minimal dance experience gave the movement elements such authenticity and playfulness.
Choreography for operatic and pop wonder Jamie Hannah
This song was tied to some deep trauma that Tom expressed to us during the conception of the idea, it was highly important as a movement director to keep a delicate open approach to make sure the final product showed the respect the stimulus deserved. Communication and creating a safe space was key to this shoot and I felt blessed to be apart of something so intimate and powerful.
Miles really wanted to bring out his darker elements during this shoot, it was a journey of finding movement that felt true to the nature of the track and authentic to his story as an artist. The process of letting go seemed cathartic and liberating for him during this shoot.
Dance reels specifically created, shot and edited for social media